The assignment of an inner product to a non-degenerate and finite-dimensional vector space $\CV$, results in emergence of the natural isomorphism to its dual $\CV\to\CV^\ast$, which means that the morphisms $\CV\to\CV^\ast$ and $\CV^\ast\to\CV$ are of the same structure and one is the inverse of the other. The notion of naturality (of an isomorphism) becomes most clear in the context of category theory; however it should be sufficient for now to say that a natural isomorphism between a vector space an its dual is one that is basis-independent. As the origin of the isomorphism, the inner product is encapsulated in an object called the metric, defined below, in order to make the resulting symmetry of the mappings more obvious.

In the context of differential geometry, the metric object is used synonymously with the inner product of a vector space. More specifically, the metric tensor

of a real vector space $\CV$ is an object whose components contain the information necessary to linearly transform a vector to its covector. This operation is denoted by the symbol $\flat$ and reads

We simply define the one-form $\Bv^\flat$ as

We input the basis vectors $\Be_a$

and define the components of the metric tensor as

We then simply say that the operator $\flat$ denotes an index lowering1 through

Moreover, we can define the inverse of the metric tensor as

The operation of transforming a covector to its corresponding vector is denoted by the symbol $\sharp$ and reads

Here, the vector corresponding to the covector $\Balpha$ is denoted $\Balpha^\sharp$ and reads

We input the dual basis vectors $\Be^a$

and define the components of the inverse metric $\Bg\inv$ as

Then the operator $\sharp$ denotes an index raising through

In some literature, the natural isomorphism $\CV\to\CV^\ast$ is called the musical isomorphism—which is also the origin of the notation introduced above—because the process of transforming a vector to its dual space and a covector to the original space is analogous to lowering and raising notes.

With the given definition of the metric, we can elaborate on the advantage of denoting inner products of different objects with different symbols. Whereas $\abrn{\cdot,\cdot}$ always denotes a natural pairing between a vector space and its dual, one can write $\dabrn{\cdot,\cdot}_\CV:\CV\times\CV\to\IR$ to denote an inner product of vectors and $\dabrn{\cdot,\cdot}_{\CV^\ast}:\CV^\ast\times\CV^\ast\to\IR$ to denote an inner product of covectors. Using the metric, we can link these notations as

for all $\Bv,\Bw\in\CV$ and $\Balpha,\Bbeta\in\CV^\ast$. Similarly,

Despite the symmetricity of the inner product, we choose to think of the first operand as a vector and the second as a covector in a natural pairing, as a convention.

The metric tensor has the following properties:

• For orthonormal bases, the metric tensor equals the identity tensor, that is, $g_{ij}=\delta_{ij}$.
• The diagonal terms equal to the square of the lengths of the basis vectors, that is, $g_{ii}=\Norm{\Be_i}^2$ (no summation).
• The off-diagonal terms are zero if the basis vectors are orthogonal. Specifically, $g_{ij}=0$ iff $\Be_i$ and $\Be_j$ are orthogonal.
1. In musical notation, the flat symbol $\flat$ is used to lower a note by one semitone, whereas the sharp symbol $\sharp$ is used to raise a note by one semitone. It is recommended to pronounce $\Bv^\flat$ as v-flat and $\Balpha^\sharp$ alpha-sharp